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"The Point of No Return" has one right in its title.

The Eiffel Tower is in the backdrop of the Paris skyline during "All I Ask Of You" again, the musical's set in 1881, but construction on the Tower didn't begin until 1887.

The Phantom's iconic fedora is one of these while the musical is explicitly set in 1881, homburg hats - from which fedoras would develop - didn't rocket to popularity until later on in the 1880s.

The synth snare in the same song is hard to miss, as well. Musically speaking - the electric guitar that duels with the organ during the tag of the titular song.She recognized him as the Phantom by his eyes. Madame Giry claims to have seen him in a freakshow in a traveling fair several years before, where it was said that he was formerly a torturer for the Shah, and that she later heard he had escaped.

Adaptation Expansion: The 25th anniversary performance at the Royal Albert Hall, which features several parts of the original libretto that usually aren't performed, expands upon the Phantom's backstory, incorporating elements of it from the novel.

Adaptational Nationality: Carlotta is Spanish in the book, but the musical makes her Italian.

Though this is averted in the Hungarian and Finnish productions.

Adaptation Dye-Job: Christine is a brunette, despite being a blonde in the novel.Given that he's supposed to be an experienced and well-reknowned opera singer, it seems odd that he can't understand simple stage instructions such as "accent on the first syllable". During the rehearsal scene in Act II, there is a bit where Piangi continually fails to understand that his line is "Those who would TAN-gle with Don Juan", not "Those who would tan-GLE with Don Juan".And in all likelihood, in her native Sweden she was known as KrisTIna.